My Top 10 Favorite Vocalists of All Time

Lately I've been thinking about who my favorite singers are. Regardless of style, regardless of any instrument they might have played, this list examines one thing and one thing only. And that is, how much do I appreciate the singing talents that these people have gifted the world? The answer is quite a lot! Here is my ranking of my Top 10 favorite singers of all time, regardless of genre. So if you're a classic rocker, doo wop fan, or country fan... you will likely find someone you like on this list. But before we begin, I'd like to acknowledge 10 honorable mentions. These 10 are fantastic singers in their own right.

Honorable Mentions: Jimmy Hayes, Hank Williams, Billy Joel, Amy Winehouse, Johnny Maestro, George Harrison, Dolly Parton, Bon Scott, Elvis Presley, and Conway Twitty. 

All right, now on with the list!

10.) Brian Wilson

Thanks to Pet Sounds, Wilson is known primarily for his compositional work nowadays. Through his mental health struggles, he has perfectly exemplified the tortured artist stereotype. But Brian is a warrior, and though his beautiful falsetto is no longer there, the 80-year old genius himself still is. But in terms of his best songs, we have to examine his early work with The Beach Boys. There are beautiful ballads galore! Some of the greatest songs of all time are among this bunch, including "Surfer Girl", "In My Room", "Don't Worry Baby", and my personal favorite, "The Warmth of the Sun". While Mike Love-led surf rock songs were what was more often played on the radio, Brian Wilson was undoubtedly the true genius of the Beach Boys from the very start. And man could he sing.

The troubled genius talks like a war veteran now, but he's survived his battles.

9.) Meghan Trainor

If one album largely gets you on the list, so be it. 2015's Title completely took 13-year old me by storm. I didn't know great music could still exist! With her retro doo wop style, Trainor took upbeat hits like "Dear Future Husband" and "Lips are Movin" to the charts. But of course, her big #1 breakout hit was "All About That Bass". I will always contend that "All About That Bass" is a fun song about body positivity, never meant to degrade anyone. Anyone who thinks otherwise is reading too much into what is ultimately just a pop song. But as great as Meghan's upbeat dance numbers were, her ballads from that era were even better. If I'd recommend just one song from her, it'd be "Close Your Eyes". Criminally underrated, the song is even better than "Like I'm Gonna Lose You". Now, there is good news for us doo wop MTrain fans. She's releasing an album in October called "Takin' It Back". Evidently, it's exactly what it sounds like! And her first single from the album is certainly promising, you can check it out here. 

Her upcoming album will also discuss her experiences as a new Mom.

8.) Sam Cooke

If you combine commercial success with pure talent, then yes, Sam Cooke is the true king of soul. This man's voice was smooth like butter, yet could also be gutsy and full of passion. "Bring It On Home To Me" is a prime example of this, as he is practically begging his woman to stick with him. While lyrical genius isn't taken into account with this list, he certainly made quite the final mark on the world with "A Change Is Gonna Come". Sam's voice builds in intensity as the song goes along, as he perfectly complements that song's orchestra. Sam's powerful vocals on songs like "Chain Gang" and "Cupid" would later inspire the Persuasions, who spoiler alert... are featured later on this list! Sam was a first-rate tenor that could belt crazy high notes, such as at the end of the lesser-known "Meet Me At Mary's Place".Sam could sing both dance numbers and ballads like no other, and his legend lives on.

He hit #1 with his debut single, "You Send Me".

7.) Willie Winfield

It's only fitting that the greatest 1950s doo wop group has one of the most supremely talented vocalists of all the time. Willie's lead vocals absolutely shine on The Harptones' songs. He performed well into old age, as he is one of the only people on this list I have seen in concert (besides Meghan Trainor). Well, where do I even start with Willie's beautiful leads on Harptones' songs? I suppose we start with "A Sunday Kind of Love", a standard turned into one of the great doo wop songs ever. Both me and the UGHA crowd agree there. "My Memories of You" is another fantastic song, penned by their piano player and arranger Raoul Cita. The whole Harptones cast sings their lines together, but Willie is clearly the shining star. And we must talk about "Life is But a Dream", the Goodfellas wedding song where Willie hits a beautiful high note at the end. Oh, and speaking of songs ending with beautiful high notes, "The Shrine of St. Cecilia" is also worth a listen.

The Harptones should be inducted in the Rock 'N Roll Hall of Fame!

6.) Johnny Cash

Well, I've already written about Johnny Cash quite a bit on this blog, so what else can I say? Well, how about this. You don't know pain until you've heard "Sunday Morning Coming Down". You don't know heartbreak until you've heard his old man rendition of "Give My Love to Rose". Put quite simply, you don't know good country music if you don't know Johnny Cash. His lengthy career had many peaks and valleys, but to me it's three distinct peaks that turned him into the legend he is today. First was the boom chicka boom era of the 50s, the Sun Records era. Johnny sings with zest and happiness, not yet being broken down by life yet. Listen to "Get Rhythm" as a prime example of this. Then, after years of drug abuse, his second peak was the "Folsom Prison" era. This was his absolute peak in my opinion, as his voice was still strong, but more broken down and soulful. There was plenty of cheesiness in the 70s and 80s, including "One Piece at a Time" and "The Chicken in Black". But when he met producer Rick Rubin, his career rebounded at the very end. While his voice was cracked, showing the pain from his many health issues, it still had that distinctive Cash flavor that had been there since the 50s.

Let's not talk about "The Chicken in Black".

5.) Jerry Lawson

This lead singer of the Persuasions truly felt every "Lord have mercy" that he sang. A baritone without a huge range, his gift was the amazing spirit that he sang with. One of his finest performances is on "Don't Know Why I Love You", where he soulfully interjects about being "misused and abused" by his woman, yet "loving her just the same". He could sing beautifully about heavy themes, as seen in other Persuasions masterworks like "Hymn #9" and "Gypsy Woman". But he injected a true sense of brotherhood and camaraderie into some of his very best leads. These include "He Ain't Heavy Medley" and "Lean On Me", with the latter being a fantastic cover of the popular Bill Withers song. Jerry was the heartbeat of the most talented a capella group of all time.

He may have passed in 2019, but the Mortal Man's vocals live on.

4.) Freddie Mercury

Freddie may not be my favorite singer of all time, but he's damn close, and he might be the most naturally gifted singer ever. The goofy-toothed, mustachioed man hit fantastical high notes, all while being backed up harmoniously by his bandmates Brian May and Roger Taylor. Nowhere was this more apparent than on "Somebody to Love", my favorite Queen song, a true masterpiece inspired by gospel music. "Love of My Life" shows Freddie handling a tender ballad, with each note showing the pain (and love) he feels. But Freddie was incredibly versatile, and of course he could handle rockers as well. His most famous here are probably the News of the World duo of "We Will Rock You" and "We Are The Champions". But my favorites are probably "Fat Bottomed Girls", and "Princes of the Universe". Of course, I would be remiss without mentioning "Bohemian Rhapsody". With its six distinct sections, Freddie's operatic vocals helped lift the tune to its now-legendary status.

Teef.

3.) Paul McCartney

Much like Brian Wilson, this legendary 60s performer recently turned 80. And much like Wilson, he is also known as a compositional genius. But unlike Wilson, his voice was incredibly versatile, handling everything from Broadway ballads ("Till There Was You") to hard rock ("Helter Skelter"). What Beatles songs are my favorite of his? Well, that's hard to say, because there's so damn many! But if you want one showing off his tender side, the Latin-flavored "And I Love Her" is a good place to start. And if you want a fantastic rocker, the 50s-themed "Oh! Darling" is a great choice (and my favorite song from Abbey Road). Paul had an extensive solo career, which I'll admit I haven't even fully dived into (there's just so many albums!). And while some clearly missed like McCartney II, there were big hits like Band on the Run and especially Ram. Okay, Ram might not have been a hit with the critics then, but they love it now! Paul's 1971 masterpiece included another rockin' lunatic song in the vein of Helter Skelter with "Monkberry Moon Delight". But its best song was "Uncle Albert/Admiral Halsey", a song that's reminiscent of the Abbey Road medley he was a part of. I could go on and on about Paul, so I suppose I have to stop for now. The point is, the man is a living genius.

Still rockin' at 80, y'know?

2.) Joe Russell

The special, perhaps interesting thing about the Persuasions was that their best lead singer wasn't their lead singer. Well, not their main one at least. But when he got a chance, Joe Russell showed off his powerful tenor vocals on some of the best music you'll ever hear. He handles gospel in a way that will make a heathen pray, just listen to "Touch The Hem of His Garment" and especially "When Jesus Comes". He handles upbeat songs fantastically well, singing with zest on "Papa Oom Mow Mow" and "I'll Be Forever Loving You". But his best moment as a lead vocalist may have been when he literally single-handedly carried "To Be Loved". Please do yourself a favor and click that link if you haven't listened to that song yet. Then you'll know. Now, despite the Sweet Man's lack of leads, he still makes his presence felt in the background of so many Persuasions songs, carrying their harmonies to incredible heights.

An underappreciated singer in an underappreciated group.

1.) John Lennon

In karate, I learned from my Sensei that kukuru means "heart". No one sang with more kukuru than John Lennon. His was a voice that was uniquely suited for rock 'n roll music. The early Beatles' songs didn't have the same substance that later ones did, mostly talking about love. So what keeps me relistening? Probably the fact that John sings so many of them, and pours his heart and soul into it. Listen to the middle eight of "This Boy" or "No Reply" and tell me otherwise. You can't. In that Beatlemania era where John shared the stage with two other supremely talented vocalists, he still stood tall as the primary singer. "Revolution" is an example of his excellent skills as a pure rock singer (not Revolution 9, I would highly recommend against listening to that). But his versatility meant he excelled even at singing more tender songs, including a ballad to his mother ("Julia"), as well as perhaps his greatest masterpiece of all, "In My Life". His solo career had "Imagine", and that's enough to make it a success by itself. But you also gotta listen to some underrated rockers like "Meat City" and basically his entire Rock 'N Roll album. Whether speaking or singing, John Lennon had a one of a kind voice in this world.

The man, myth, my favorite singer.

Why 1970s Billy Joel is Better Than His 1980s Form

In the mediocre comedy movie Step Brothers, one of the more funny moments was when the Billy Joel cover band "Uptown Girl" played at the wedding. Why's that? Well, that's because they said they do "strictly 80s Joel music". Why they would limit themselves in such a way, I don't know. That's part of how ludicrous the joke is. And that's because 70s Billy Joel is clearly better than 80s Billy Joel. I don't think many would disagree with this assessment. My Dad even joked, "Don't write your master's thesis on this". However, when we crunch the numbers, 80s Billy Joel was clearly more popular commercially.

Billy Joel, before he sold out to a mainstream audience.

And that makes him a bit of a sellout, doesn't it? Let's take a look at his numbers on the Billboard Hot 100 chart. During the 70s, he had five Top 20 hits, a couple songs that cracked #3 ("Just the Way You Are" and "My Life"), and no #1s. Now let's compare that to the glorious 80s. Well, he had sixteen Top 20 hits, nine Top 10s, and three #1s ("It's Still Rock and Roll To Me", "Tell Her About It", and "We Didn't Start The Fire"). Clearly, Billy Joel was quite the popular musician in the 1980s. And that's because his music became more pop-centric, as opposed to the meaningful and artistic music he made in the 70s. But for the sake of argument, let's look at some of Billy Joel's best and most popular 80s material and see how it stacks up.

First, let's look at his best 80s material. For me, that starts with "The Longest Time". Of course, that probably has something to do with my bias as a doo wop fan. But compared to the obvious commercialism of "Uptown Girl", "The Longest Time" is something special. It features a multi-tracked Joel harmonizing with himself in doo wop fashion. All the a capella groups around today do this song, and deservedly so. Then, another great 80s Joel song is "Allentown". Of course, that probably has something to do with my bias as a Lehigh Valley native. But the song about a working class city is quite a solid rocker, and even mentions its lovely local counterpart, Bethlehem. Again, no bias here whatsoever! 

Billy makes quite the interesting effort at looking young in the music video for "The Longest Time".

Okay, now let's look at his popular 80s material. The sellout stuff, and yet... the #1s, the successes. Starting with "It's Still Rock and Roll To Me", this is the best of the #1s. Released in 1980, Billy hadn't completely transitioned out of his 70s form yet. I like the song. But not quite as much as "You May Be Right", the song that was released that same year and only hit #7. That's one of Billy's most aggressive and rocking songs. Anyway, his second #1, "Tell Her About It", was an obvious pop sellout. More obvious that "Uptown Girl". It's a very cheesy song about a guy who's got to tell his crush he likes her. It can pass as a good guilty pleasure song, but nothing more than that. Finally, there's "We Didn't Start The Fire". Oh boy. Some songs, I like more as time goes on. This is the opposite of that. I loved this song back when I was a freshman in high school, and when I heard that my uncle had the entire thing memorized, I decided to do the same thing! But, as much as I appreciate this song being a list of important historical events, it's really a gimmicky song that's devoid of actual meaning.

Now, let's compare that to some of the beautiful material Joel released in the 70s, music full of meaning. His 1977 album The Stranger is one of those rare masterpieces where there isn't a single filler track. I'd argue the worst track on that album is "Get it Right The First Time". That's how good that album is! It contains the beautiful love ballad "Just The Way You Are". Unfortunately, Joel has distanced himself from this song, as he wrote it about his first wife (who he now has hard feelings for). Well, maybe don't marry four times, Billy. But anyway, the album also contains the magnificent "Scenes From an Italian Restaurant". My general rule is, if you're gonna make a song over 7 minutes long, it better be good. This one is beyond good. It combines masterful storytelling, engaging piano melody, and has the Bohemian Rhapsody-esque transition into completely different parts of the song. But it's clearly better than the famous Queen song released a few years prior. The Stranger concludes with the very underrated song "Everybody Has a Dream", a love ballad that can compete with "Just The Way You Are".

It's one of the greatest albums I've ever heard. A definite pick for my upcoming radio show.

We also must talk about Joel's 1976 album Turnstiles, a commercial dud, but now looked upon as one of his best works. It's a clear candidate for my upcoming radio show, Graeme's Awesome Albums. It features the criminally underrated song "James", both now and then. When released, it didn't even crack the Top 100. And now, it doesn't even have a Wikipedia page... well, it looks like I have a job to do! Anyway, "James" is about Billy's friend who pursued an education, while Billy went out on the road. He's worried about how his friend is doing now. It's a beautiful song, and a rarity in the cannon of popular music. Most guys choose to write songs with a girl's name in it. Rarely do you find a singer write a sensitive song about his male friend, though. But as good as "James" is, Billy's true masterpiece from Turnstiles was "Miami 2017 (Seen The Lights Go Out on Broadway)". The dystopian song begins and ends with an intriguing piano line, and Billy's backing band puts in an excellent performance on this one. Though it wasn't even considered as a single, it's one of the best songs in his catalogue now. And Billy has used it for emotional performances, such as when he played it after 9/11.

Each of the people on the "Turnstiles" cover represent a character in one of the songs.

And we can't talk about 70s Billy Joel without talking about "Piano Man". Though it's a bit overplayed now, it's undeniably a classic song with first-class storytelling. It shows the lived experiences of Joel, who at the time he wrote and sung the song, clearly wasn't a commercial sellout. Instead, he was the starving artist type, playing to his regular crowd at the bar. He was truly the "Piano Man" then. But in the 1980s, Billy distanced himself from the "Piano Man" image. He went for something more mainstream, something less artistic and powerful. His 80s music, though still solid, paled in comparison to what he released in the 70s. If The Beatles were my favorite artist of the 60s, Billy Joel was my favorite artist of the 70s. And that's obviously very high praise. But towards the end of his commercial career, it's safe to say that Billy went to extremes.

7 Albums to Check Out This Summer

I have been listening to a lot of albums I haven't yet heard before this Summer. This research is inspired by my upcoming radio show for Moravian, which will be called "Graeme's Awesome Albums". So, here are 7 of the best I have heard so far this summer. These are definitely albums that have a fair shot of being played on my upcoming show, so you just might hear them if you tune in one night!

1.) Back to Black by Amy Winehouse (2006)

The first album I listened to this Summer, I was excited to kick off with one of the most critically acclaimed artists of this century. And I must say, her music deserves all the acclaim! The one song I knew before was "Rehab", the opener of the album. It's a catchy song, but knowing that Amy would die five years later from alcohol abuse, it now sounds like a desperate cry for help. The next song is just as solid, as "You Know I'm No Good" talks about her relationship drama in a candid way. Another highlight of the album was "Tears Dry On Their Own", which heavily samples from "Ain't No Mountain High Enough". But as you might be able to tell, this song wasn't as happy as the Marvin Gaye/Tammi Terrell classic. And "Wake Up Alone" is influenced by the 1950s with its chord progression. The whole album has a retro feel, as did Amy's looks at the time. With that eye makeup, she was heavily influenced by Ronnie Spector of the Ronnettes. When Amy passed, one of the last good artists from this era went away, too.

I got this album on vinyl. On the album sleeve, Amy also credits the Shangri-Las as an influence.

2.) Thriller by Michael Jackson (1982)

Matching his singing talent with equally awesome (if not better) dancing, Jackson was an 80s icon. And this album was a big reason why. "Thriller" is a Halloween-time classic, so yeah... this album could definitely be one I play around Halloween on the show! "Billie Jean" is another Jacko classic, with over 1 billion streams on Spotify. "The Girl Is Mine" is a cheesy duet with Paul McCartney. Yes it's ridiculous, but it's also two musical geniuses collaborating, and they both put in a great vocal performance (pay special attention to Paul's deep low note in the middle of the song!). "P.Y.T. (Pretty Young Thing)" is a great, danceable song. But my favorite song on the album is "Beat It". That's a song I compulsively dance to, and I absolutely dig the Eddie Van Halen guitar solo. Plus, the chorus is incredibly catchy. "Beat It" is an MTV-era masterpiece.

This guy could freaking dance.

3.) Bridge Over Troubled Water by Simon and Garfunkel (1970)

While Paul Simon was the genius who wrote the songs, Art Garfunkel did have the better voice in my opinion. And it's Garfunkel's beautiful high tenor that's heard on the opening title track, a true highlight of the album. The "sail on silver girl" section where he harmonizes with Simon has a perfect transition, eventually leading to an epic and climactic ending. I'm a sucker for songs that start off soft and gradually build up in energy, and that's exactly what this is. But as great as "Bridge" is, it still might not be the best song on this album. "The Boxer" tells of the hard-knock life of someone who is "just a poor boy", though his story's seldom told. "Cecilia" and "Baby Driver" rid me of the notion that this album would just be slow and depressing songs. The latter is especially exciting in my opinion. The duo also covers the great Everly Brothers' song "Bye Bye Love", and with their fantastic harmonies, they do the song justice.

Yes, I've been told I have Art Garfunkel hair.

4.) Johnny Cash with His Hot and Blue Guitar! (1957)

If you're a fan of Johnny Cash's early material at Sun Records, this is the album for you. As his first album, it's a compilation of many of the songs he had recorded up to this point, as the concept of the LP was still very new at the time. Classics I have already discussed, like "I Walk The Line" and "Folsom Prison Blues" are on the album. But this isn't simply a greatest hits compilation, as there's plenty of underrated gems on here, too. "I Heard That Lonesome Whistle" is a fantastic cover of the already great Hank Williams song. "Cry! Cry! Cry!", which was Cash's first ever release, is on this album. But one of the surprising highlights for me was the fantastic opener, "Rock Island Line". The first half of the song is simple Cash narration, until the song "picks up a little bit of steam" and goes into a minute of absolute frenzied overdrive. In this frenzy, Cash sings some rare high notes. What an exciting song that one is.

The first of 97 albums released!

5.) From Elvis in Memphis by Elvis Presley (1969)

In this album, Elvis marries country and gospel music into one cohesive masterwork. He covers old country classics, like "It Keeps Right On A-Hurtin" and "I'm Movin' On". They are better than the originals, because... it's Elvis singing! "Power of My Love" is a particularly strong track, as even fat Elvis was known for his sex appeal. In the song, Elvis sings "Break it, burn it, drag it all down. Twist it, turn it, you can't tear it down". That reminds me of those annoying "Bop It" toys I had as a kid! Anyway, the true masterpieces the album are known for include "In The Ghetto" and "Suspicious Minds" (the latter of which is technically a bonus track). But I'm counting it, as "Suspicious Minds" happens to be my all time favorite Elvis song. Another bonus track that struck me was the gut-wrenching "Don't Cry Daddy", as that one is a true tear jerker.

The King was at the peak of his career when he recorded this classic album.

6.) Gunfighter Ballads and Trail Songs by Marty Robbins (1959)

Well, you can't talk about this album without talking about its two well-known masterpieces. "Big Iron" is the opener, and is particularly popular nowadays due to online meme culture appropriating the song. But at its heart, "Big Iron" is a fantastic and exciting storytelling song. It tells of an outlaw named Texas Red, the sharpest shooter in town! That is, until he meets the ranger with a big iron on his hip. But "Big Iron" doesn't quite match the genius of "El Paso", which I wrote about last week in my death discs article. Other underrated songs on the album include "They're Hanging Me Tonight", which tells of the narrator being put on death row after he shot his cheating woman. Also notable are the upbeat singalong "A Hundred and Sixty Acres", and the pretty song "In The Valley". 

Well, since I showed the actual album cover last week, here's one of the many meme covers from online.

7.) Talking Book by Stevie Wonder (1972)

While researching albums to look up, this one popped up on many all time "greatest albums" lists. Well, I had to see what the hype was about. I found there was already a couple songs I knew, including "You Are The Sunshine of My Life". What a fitting opener that is, as it feels like it is the beginning. It's a beautifully upbeat song. "You and I" is a pretty love ballad, reminiscent of "Oh My Love" by John Lennon. The funky sensation that is "Superstition" is of course arguably Stevie's most well-known song. "Big Brother" is a politically focused song that was inspired by the novel "1984". But the song that blew me away off the first listen was "Blame It On The Sun", a haunting song that talks of lost love. In it, the narrator blames losing his love on the Sun, but knows he's really to blame. If there's any song from this list I encourage you to look up, it's that one. What an underrated gem that is. 

Seriously, check out "Blame It On The Sun".

Well, those have been some of my favorite albums I have looked at this Summer. There are plenty of others I will soon listen to, including "Glass Houses" by Billy Joel, "Pearl" by Janis Joplin, "Green River" by Creedence Clearwater Revival, "Cloud Nine" by The Temptations, and "The Rise and Fall of Ziggy Stardust" by David Bowie. So, stay tuned for a possible part two of this list, with 7 more albums I have enjoyed from the summer!

The Death Disc: 7 Songs That Put The Morbidity In Music

During the late 1950s and early 60s, a popular sub-branch of pop music surfaced known as the "teen tragedy". Also known as "death discs", these songs dealt with, well... death! They involved tragic tales of a main protagonist dying. So today, I've decided to look at 7 death discs, some that defined the "genre", and others that fly under the radar. Let's start with the most obvious one.

1.) Leader of the Pack by the Shangri-Las

After this song was released in 1964 and hit #1, the death disc kind of faded out. Perhaps it's because there truly was few songs that could top this one in terms of tragedy and drama. The basic premise is that some girl has a boyfriend, but he's a trashy biker type. Her parents don't approve! Just after the girl is forced into breaking up with the biker, he runs off and dies in a crash. That part of the song is quite climactic, with some of the girls yelling "No, no, no, no", while lead singer Mary Weiss screams "Look out!".

Weiss insisted that the Shangri-Las be remembered as a true rock 'n roll group, and not just a "girl group". In any case, this is her group's signature song, along with "Remember (Walkin' In The Sand)". That song, of course, was in Goodfellas (RIP Ray Liotta). Also, Weiss was only 14 when she sang this song. That makes this scene from the music video seem all the more creepy. 

They would not be able to get away with this shit today!

2.) Dead Man's Curve by Jan and Dean

Jan and Dean were the poor man's Beach Boys, famous for their cheerful song "Surf City". Much like that song, Brian Wilson wrote this one for his lesser California surf rock contemporaries. Released in late 1963, this song is about a drag race (much like The Beach Boys' "Don't Worry Baby"). But this one has a much darker story than the Beach Boys' one. Much like the Shangri-Las "Leader of the Pack", the singer narrates some of the tragedy in spoken word form. In this case, he narrates the events of the crash to a doctor. The sounds of screeching tires are heard as the song fades out. The message of the song? Don't go drag racing, and better yet... don't go drag racing on a nearly 90 degree turn!

3.) Casey Jones by Billy Murray

The original death disc? Well, it's quite possibly this one right here! Recorded all the way back in 1910, this song is the true magnum opus of my favorite singer of that era, Billy Murray. Back in the day when the recording technology was so primitive that you sang into a can, Billy put a lot of heart into singing about a brave railroad engineer. His name? Well, it was Casey Jones. And Billy sings all about how he was involved in a crash with "two locomotives". Casey was heroic though, as he helped save lives by sacrificing his own during the "bump". I also gotta mention Billy's great backers in the American Quartet, who were also there on his most famous song, "Over There".

Billy Murray, the great musical genius of the early 20th century.

4.) El Paso by Marty Robbins

No list of death discs would be complete without this masterpiece from Marty Robbins. It is not only his greatest commercial success, but in my opinion, his finest song. It hit #1 at the start of 1960, and is the tragic tale of a man who finds himself in love with a Mexican woman. However, the whole town around him hates him, and at the very end, he's chased down by mounted cowboys and shot to death. The whole melodrama takes place over the span of 4 minutes and 19 seconds, a very unusually long song for that time. But Robbins needed every second to tell this great story, as he wrote all the lyrics to this poetic song. While "Big Iron" gets a lot of attention now, "El Paso" is still the truest gunfighter ballad of them all.

This epic album cover has been widely embraced by meme culture.

5.) Running Bear by Johnny Preston

What song supplanted El Paso from the #1 spot in the winter of 1960? Well, it was none other than this one right here! Much like they wouldn't be able to get away with the creepy pedophile motorbike rider I talked about earlier, they also wouldn't be able to get away with the casual racism in this song. This is a Romeo and Juliet-like love story where two Natives live on opposite sides of the river, but their tribes hate each other. So they try to swim across the stream, but they can't make it, and they drown! The song begins and ends with what can best be described as an Indian war cry. Oh, and The Big Bopper (the guy who died in the plane crash a year earlier) supplies background vocals, repeatedly singing "Unga bunga". Yep, this song definitely is not suitable for sensitive listeners in the 21st century.

6.) Give My Love to Rose by Johnny Cash

This is a song I've written about before in my 10 greatest Johnny Cash songs list, which you can read about right here. But it's worth writing about again, as it tells the tragic story of a prisoner along the railroad track who is dying. So he tells the narrator to give his love to his wife Rose, and to give her whatever money he has left. Cash recorded many versions of this song throughout his career, including the original from 1957. But it gets more and more emotional as you go along, from the 1968 Folsom Prison concert, all the way to his heartbreaking 2002 performance. I combined those 3 versions into one song, and posted it on YouTube.

Johnny Cash's final recording of "Give My Love to Rose" is among the best of his long career.

7.) The Bells by Billy Ward and His Dominoes

If "Leader of the Pack" is the most definitive and famous death disc, this one is the most brutal. If you've ever heard "Valerie" by Jackie and the Starlites, this song seems to somehow outdo that one in terms of the lead singer having a tear-filled breakdown. But that's probably because, instead of the woman breaking up with him, the woman is dead! The song talks of horse-drawn carriages and funeral bells ringing. Lead singer Clyde McPhatter earns his stripes as a double Rock 'N Roll Hall of Famer on this one, bawling his eyes out, and straight up screaming at the end. In fact, he should be a triple Rock 'N Roll Hall of Famer. He's inducted as a Drifter and a solo artist, I'd put him in as a Domino based on this song!

The Dominoes were short lived, but certainly made their impact on rock 'n roll history.

So what are some other "death discs" you think I missed out on? Let me know in the comment section of this article. In my opinion, the best of these songs is "El Paso", the most definitive is "Leader of the Pack", and the most purely tragic one is "The Bells". Seriously, give that song a listen!

5 Presidents and Their Favorite Kinds of Music

Lately, I've been reading a book called "Abe" by David S. Reynolds. It's a cultural biography, aiming to examine the life of Abraham Lincoln from a cultural perspective. So, it talks about matters such as his religious background, the frontier life he grew up with, and yes... even his taste in music! That got me thinking, what are the musical tastes of some famous presidents? Well, I'm going to attempt to answer that question with this blog post. I will be examining the musical tastes of two historical presidents, as well as the three most recent ones. Let's get started.

1.) George Washington

The first president of our country had quite the wise quote regarding music. He said, "Nothing is more agreeable, and ornamental, than good music". To take his words from the 18th century to the 21st century, he's basically saying that nothing beats good music. As for the music that Washington himself liked, perhaps it's unsurprising that the general enjoyed a good battle march. Perhaps he would have liked the selections from R. Lee Ermey in Full Metal Jacket! But given that he was an aristocrat that married into immense wealth, he enjoyed the classier music as well. He listened to operas, like the famous Handel work "Hallelujah". 

Evidently, Washington had no musical talent, as he could not sing or play an instrument. But he knew the importance of good music, even in ordering his army around. I learned from the Mount Vernon website that in 1777, Washington ordered his drum and fife majors to improve their music. He reported that the "music of the army [was] in general very bad". It takes a meticulous man like Washington to know that good music was important, even during a time of war. And while Washington was not himself a good musician, his granddaughter evidently became an excellent harpsichord player.

George Washington wanted good music, for the morale of his troops!

2.) Abraham Lincoln

The inspiration for this article, Honest Abe was much more into the everyday music of the frontier than the classy opera of his day. A friend noted that Lincoln's "tastes were simple and uncultivated, his choice being old airs, songs, and ballads". Like Washington, Lincoln had no musical talent, but seemed to appreciate music much more. Lincoln was famous for having what in his days would be described as "the melancholy", or "the hypo". In other words, he had depression. And as such, he had an appreciation for tragic, or "sensational" songs. One example is "The Irish Mother's Lament", a song about a woman who curses her three boys for disobeying her orders, but then goes mad with grief when she finds her sons all drown in a lake. One must also realize that the frontier culture that Lincoln grew up with was violent, so he enjoyed sensational songs like "The Oxford Girl". That one tells of a man who bludgeons his partner to death, proceeding to throw her corpse into a river. What interesting songs indeed!

The music that Abe liked was politically incorrect, on multiple counts. In a grammatical jumble of words, one acquaintance Lincoln had described him as liking "Little Smuty Songs I wont Say any thing a Bout would not look well in print". One of the songs was "I Won't Be.a Nun", which talks about a woman who tells her mother she is too pretty and too wild to be a nun. Doesn't seem that bad, but we must remember, this is the 19th century we're talking about! On the other hand, there are songs that seem horrible now, but again... we must remember this is a different era. That's because Lincoln enjoyed a lot of the minstrel songs of his day. He liked songs like "Old Dan Tucker", "De Blue Tail Fly", and yes... a song called "Jim Crow". While Lincoln is known as The Great Emancipator, we have to remember that the time he lived in was really quite different.

If Abe was two-faced, would he really be wearing this one?

3.) Barack Obama

Let's discuss the first of our modern presidents on the list. We know Obama is a music fan, as he often shares out his favorite music of the year. He stays up to date with the popular music of the day, much more than I do, honestly. I do know that I like one of his 2021 picks, "Freedom" by John Batiste. But honestly, I don't recognize another song on there. But Obama certainly likes music from a wide variety of genres and eras. In anticipation for his 2020 memoir "A Promised Land" (which I read), Obama made a list of songs that were important to him during his time in the White House. Some notable selections include "The Times They Are-a-Changin" by Bob Dylan, "Lose Yourself" by Eminem, "Sir Duke" by Stevie Wonder, and "Luck Be a Lady" by Frank Sinatra. 4 completely different genres, but 4 great choices.

But there's one song on the list that must have had particular importance to him. Well, I know it would've had importance to me if I was in his shoes! That's because Barack had the privilege of having his First Lady being serenaded in the White House by Paul McCartney. What was the song? Well, it was "Michelle", of course.  We know Obama's taste in music is eclectic, but one artist in particular he seems to appreciate is Bruce Springsteen. He even hosts a podcast with him now. 

Ah, the retirement life of an ex-president.

4.) Donald Trump

Oh boy, I'm really doing this. Well, here goes. One article I read describes Trump as "more of a Rolling Stones fan than a Beatles follower". He had the audacity to call Paul McCartney a "schmuck". Hmm, why does that not surprise me? Other favorite artists of his include Queen, Elton John, and Eminem. All right, as much as I dislike Trump, I can't say he's wrong with these selections. But these artists, and the surviving members of Queen, sure as hell don't want their music playing at his rallies! There's a whole Wikipedia article that details a whopping 25 "musicians who oppose Donald Trump's use of their music". 25! One notable example was how the estate of George Harrison said that Trump did not have permission to use "Here Comes The Sun" to introduce Ivanka during the 2016 RNC. However, they did note that Trump had permission to use Harrison's song "Beware of Darkness".

Much like Obama, he's a big fan of the Eminem song "Lose Yourself". But again, Eminem is one of many artists who have expressed their disgust with Trump. Trump's all-time favorite song is evidently "Is That All There Is?" by Peggy Lee. While Trump's musical tastes are not quite as diverse as Obama's (he prefers a lot of the boomer-age stuff)... he does enjoy some reggae as well. I will end this segment by saying that Trump apparently claims to have punched his second grade music teacher, because he "didn't think he knew anything about music". His classmates claim that story was bullshit though, so who knows.

While Trump likes Eminem's music, Slim Shady is not a fan of 45.

5.) Joe Biden

Biden has a somewhat diverse taste in music like Obama, but unlike Obama, we gotta remember that Joe is 79 years old! As such, his music taste... well, it's a bit like mine. Or as Rock NYC put it in their article from a year ago, the writer "didn't expect to find hip hop songs on a playlist of a 78-year old man". That's not to say Biden doesn't enjoy some modern pop music, but it's soulful stuff like "Stay With Me" by Sam Smith or "Hello" by Adele. In other words, modern songs that are actually pretty good. Biden appears to be a pretty big R&B fan, enjoying songs like "Higher and Higher" by Jackie Wilson, "Good Times" by Sam Cooke, and Aretha Franklin's rendition of "The Weight". 

Much like Obama, he's a Beatles and a Springsteen guy. His favorite Beatles song appears to be "Come Together". In terms of some truly old school artists (we gotta remember, Biden ain't new), he enjoys Ray Charles and Frankie Valli. One of his favorites is "Can't Take My Eyes off You", which is indeed an excellent song. While Biden can surely stumble over his words sometimes, we gotta remember his cool side as well... driving in his 'Vette and playing some oldies music. 

I bet he's begging the Secret Service to let him drive again.

Well, that's my list for the day. It combines two of my passions, history and music, all into one neat little article. Hope you've learned a bit about the music tastes of these commanders-in-chief. I suppose when I'm president someday, they'll write about how much I enjoy "El Paso" and "Smokey Joe's Cafe"!

Reviewing Rolling Stone's Top 500 Songs List

Last week on this blog, I wrote about my reactions to UGHA's Top 500 all time doo wop songs. Well, this time I'm going to be looking at music in more of a general sense. That's because I'm going to be reviewing Rolling Stone's Top 500 all time songs list, published last year in 2021. RS originally did their list in 2004, but I will be examining the updated one. I am not going to be saying any of the songs on the list are underrated, because "Top 500 all time" is obviously high praise. But I will be going over some songs I think got snubbed, so let's start there.

Here's the art that Rolling Stone used for their article.

Songs That Got Snubbed

Somebody to Love by Queen (1976): The only Queen songs on the list were "Bohemian Rhapsody" and "Under Pressure". Now rest assured, this list is supposed to rank The Top 500 greatest songs, not the top songs overplayed on classic rock radio. But if it truly wanted to accomplish the first mission and not the second, this harmonious Queen masterpiece would've made the cut.

I Can't Stop Loving You by Ray Charles (1962): This was #161 on the original list, so my question is... what happened? This is Ray's absolute masterpiece in my opinion, with his soulful vocals being backed up by an excellent choir. It was a cover of a country song, showing Ray's diverse musical tastes. No disrespect to "Georgia On My Mind", but I'll take this one as Ray's best song any day.

Summer Wind by Frank Sinatra (1966): How is it that in a list compiling the 500 Greatest Songs of All Time, 'Ol Blue Eyes doesn't even get one? I'm not even the biggest Sinatra fan, and I still think that's a travesty! If there's any song I'd strongly advocate for Sinatra, it's this one. It's a vocal and orchestral masterpiece, and evidently Bruce Springsteen's all-time favorite song.

What does Rolling Stone have against Italian people?

Turn! Turn! Turn! (To Everything There is a Season) by The Byrds (1965): The critics can't get enough of "Eight Miles High" and "Mr. Tambourine Man". I won't deny, those are good songs. But to me, the best Byrds song is this one, with its jangly lead guitar and Pete Seeger-written lyrics. 

Me and Bobby McGee by Janis Joplin (1971): This made #148 on the original list, so again I must ask, what happened? Kris Kristofferson's writing and Janis's singing were truly a dynamic duo on this song. I would've supposed that Janis's powerful vocals stood the test of time, but I guess not. Rolling Stone didn't even put one of her songs on their list.

Revolution by The Beatles (1968): With Rolling Stone's love for protest songs, you'd think that this very underrated Beatles song might stand a chance. Unfortunately, the critics once again chose its more popular A-side, which we'll cover shortly. In any case, this song's fiery lead guitar from George Harrison, as well as the raucous vocals from John Lennon, will forever make it one of my all-time favorites

In case you haven't noticed, I'm a little more biting in my critiques than last week. I truly believe these songs and artists were robbed of their place on this list. Other songs that I'd argue deserve a spot are "Just The Way You Are" by Billy Joel, "Bring it On Home to Me" by Sam Cooke, and "El Paso" by Marty Robbins. Doo wop was also robbed of a rightful place on this list, with "In The Still of the Night" and "I Only Have Eyes For You" being the only selections... on a list of 500! In comparison, the original 2004 list also had "Maybe" by the Chantels and "Sh Boom" by the Chords, two excellent choices. Now, I'm not done tearing this list to shreds. Let's get into the songs that are darlings for the critics, but not for me.

Songs That Were Overrated

#426: Super Bass by Nicki Minaj (2010): I know it's only #426, but give it one listen and you'll want to rip your ears out. This belongs on a worst songs of all time list, not the best. If you think I'm kidding, listen to it. You'll get a headache, and regret it instantly.

#287: You Shook Me All Night Long by AC/DC (1980): There's way better songs on the Back in Black album than this one. It's definitely a solid tune, but it is overplayed constantly. For being the only AC/DC song on the list, they sure did pick an underwhelming one. Where's the love for Bon Scott?

#156: Louie Louie by The Kingsmen (1963): This song was evidently quite influential to garage rock, and its guitar riff became iconic. But the song itself? Well... it's kinda lackluster to be ranked this high. The vocals just sort of ramble. There's plenty of songs from the rock era that could've taken its spot.

#89: Hey Jude by The Beatles (1968): As an unofficial Beatles ambassador, I get the right to say which of their songs are under or over-valued. This one falls right into the latter category. At least it wasn't ranked at #8 like on the original list. But this McCartney pop confection, while fun to sing at stadiums, is not one of the Top 100 greatest songs ever. It's not even one of the Top 100 Beatles songs ever!

The critics must be hypnotized by Paul's stare on the "Hey Jude" video.

#61: Stairway to Heaven by Led Zeppelin (1971): This song that rambles on (no pun intended) for almost 8 whole minutes is another one of those overappreciated songs from the rock era. I've just never been able to get into it. Give me "Black Dog" or "Rock and Roll" over this song any day.

#30: Royals by Lorde (2013): I remember this song when it came out, and I must say, it ain't bad. But #30 all time? Really? The song is a bit low-key for that. However, I will note that the YouTube channel ADoseofBuckley, who is fiercely critical of modern pop music, actually gave this song a relatively positive review. So again, it's not bad, but I just don't think it's worthy of all-time status.

Other songs that I thought were too high include "Born to Run" by Bruce Springsteen at #27, "Gimme Shelter" by The Rolling Stones at #13, and "Like a Rolling Stone" by Bob Dylan at #4. I should also note that RS had multiple songs from 2019 and 2020 on the list. Shouldn't they give those songs some time to have a legacy before they're already hailed as all-time greats? Besides, they couldn't have picked better songs than "Old Town Road"? Give me a break. Also, three Madonna songs is three too many. But okay, enough negativity. Let's get to the songs I was happy to see appear.

Songs I Was Glad To See On The List

#324: Scenes From an Italian Restaurant by Billy Joel (1977): If a song goes on for seven and a half minutes, then it better be good. Well, this one is great! From the piano intro section, to the jazziness, to the "Ballad of Brenda and Eddy" section, this song is brilliant. Of course, they should've had more Billy Joel songs on the list. But I won't give RS a hard time, I'm just glad that the Joel song they picked is truly one of his all time greatest.

#241: The Humpty Dance by the Digital Underground (1990): I was pleasantly surprised to see this goofy yet brilliant rap song on the list. The song is all about how the protagonist named "Humpty Hump" will get all the ladies, in spite of his homely appearance and comedically large nose. The cover art may be even better than the excellent song.

Here's Humpty Hump. He once got busy in a Burger King bathroom!

#190: Fuck tha Police by NWA (1988): This incredibly bold rap song is one of my all-time favorites, and is surely a definitive protest song. All three rappers on this song have a fantastic flow, and deliver all their lines with heat. Ice Cube begins the song, he tosses the mic to MC Ren, and then the grand finale comes with Eazy E. Eazy is one of my favorite rappers of all time, and another artist that died far too young.

#98: In My Life by The Beatles (1965): John Lennon's masterful introspective work from the mid-60s was perhaps at its peak in the mid 60s. And there's no better introspective song than "In My Life". Now, the original list had it at #23 all time, which I think is a more appropriate ranking than #98. But either way, I'm glad to see this song made the Top 100.

#70: Suspicious Minds by Elvis Presley (1969): Bar none, the greatest song the King ever sung in my opinion. And RS seems to agree, with "Heartbreak Hotel" and "Jailhouse Rock" coming in much lower on the list. "Suspicious Minds" is a soulful masterpiece with excellent backing vocals from four women (including Donna Thatcher of the Grateful Dead). And some credit should be given to Mark James, who originally wrote and sung the song. But Elvis perfected it.

#58: The Weight by The Band (1968): This song is actually about my hometown of Nazareth, PA, not the biblical Nazareth! But it's not just hometown bias that makes me love this song, as the critics love it, too. With excellent country rock vocals from Levon Helm, and wildly engaging lyrics, this song earns its place as one of the 100 greatest I've ever heard. The Band never replicated anything like this from what I've heard... they truly caught lightning in a bottle with this.

There are plenty of other songs that I was glad to see get representation on the list. If I also made a Top 500 songs list, these songs would definitely make it. They include:

#476: Sunday Morning Coming Down by Kris Kristofferson (though I should note, I prefer the Johnny Cash version, and I'd rank it a lot higher than this!)

#420: California Dreamin' by The Mamas and The Papas

#333: Papa Was a Rollin' Stone by The Temptations

#316: Leader of the Pack by The Shangri-Las

#300: Rock Lobster by The B-52s

#213: Paint It, Black by The Rolling Stones (yes, I don't hate the Rolling Stones!)

#182: Sounds of Silence by Simon and Garfunkel

#167: Lose Yourself by Eminem

#165: I'm So Lonesome I Could Cry by Hank Williams (shoutout to RS for including this song, as well as "Your Cheatin' Heart". Good to see Hank get some love.)

#110: Something by The Beatles

#102: Maybellene by Chuck Berry

#63: Jolene by Dolly Parton

#53: Good Vibrations by The Beach Boys

#40: All Along The Watchtower by Jimi Hendrix (I eventually realized it's better than "Foxey Lady")

#19: Imagine by John Lennon

#3: A Change Is Gonna Come by Sam Cooke.

Yes, given that Rolling Stone had 500 songs on their list, I was bound to agree with some of them. The ones listed above are all excellent selections in my opinion. And because 500 songs are a lot, there are plenty I haven't heard of that caught my eye. As I stated earlier, Rolling Stone loves its protest songs. There were certainly some interesting ones on the list, including "Mississippi Goddam" by Nina Simone, and "Strange Fruit" by Billie Holiday. The songs deal with very serious topics, as the former talks of a KKK massacre, and the latter is about lynching. I also want to check out James Brown's song "Say It Loud (I'm Black and I'm Proud)". But British people had their share of protest songs as well, and that's why I gotta check out "God Save The Queen" by Sex Pistols. I mean, look at the cover art!

Finally, I have to check out "Blue Eyes Crying in the Rain" by Willie Nelson. I have to get into more of his music, and this song is particularly intriguing. After all, it was written by Fred Rose, who was the producer for Hank Williams. Overall, the RS list is kinda meant to spark some debate and outrage. Certainly, it can't make everyone happy. I was definitely unhappy with some selections! But, I feel like a lot of solid songs got some worthy representation on their 2021 list.

Looking at UGHA's Top 500 Doo Wop Songs List

There's nothing that says dedication to music like a Top 500 songs list! I know Rolling Stone has done multiple attempts at creating a Top 500 all time songs list, but how about one just for doo wop? Well, I recently checked out a list that UGHA (United in Group Harmony Association) made in 2000. UGHA members were asked to vote on what some of their all time favorite doo wop songs were, and so a giant Top 500 list was compiled from that. 500 songs sure is a lot, and I'm not going to claim I even know half of the songs on their list. But I feel as though I know enough about doo wop to have my own opinion on it. And so, I'm going to say where I think this list hit the mark, and where I disagree with it. Let's get the negativity out of the way first, then.

Songs That Got Snubbed

The Platters did not get a lot of love on this list.

First, we have to acknowledge some of the songs that absolutely deserved to be on the list, but weren't included. That starts with "The Great Pretender" by the Platters. The Platters generally got snubbed on this list, with only three of their songs appearing (Only You, My Prayer, and Heaven on Earth). But to have my favorite Platters song completely off the list? Talk about a snub. It's a beautiful song with a superb lead vocal by Tony Williams. But perhaps it was snubbed for not being "street corner" enough.

Next, how about "Zing! Went The Strings of My Heart" by the Coasters? The Coasters were another group that were absolutely snubbed from the list, with none of their songs showing up. And you know what, if they didn't want all their goofy pop-style hits on there, I get it. But I'm surprised that "Zing" didn't show up as a favorite with at least some people. It's a super smooth slow jam featuring a great lead vocal by bassman Dub Jones. Totally deserving of a spot.

And while we're on the subject of the Coasters, the group that came before them (the Robins) had another worthy selection. "Smokey Joe's Cafe" is one of my all time favorites, so to not see it on the list was definitely a disappointment.

Other snubs include "Get a Job" by the Silhouettes, "Here Am I Brokenhearted" by the Four Js, "Try the Impossible" by Lee Andrews and the Hearts, "Stranded in the Jungle" by the Cadets, and perhaps most surprisingly... "Sh Boom" by the Chords. Obviously UGHA members are far too into doo wop to vote the awful Crew Cuts version onto the list, but I thought the ballsy original by the Chords would make it.

Songs That Were Underrated

I was surprised to see The Drifters' "Money Honey" so low on the list.

All the way down at #496 on the list, we find "Wishful Thinking" by Little Anthony and the Imperials. This is my all time favorite by the group, give me this song over "Tears on My Pillow" any day. So while I'm glad the song was at least acknowledged, I wish it could've been a little higher. I think it's one of Little Anthony's strongest and most passionate leads, and the background is beautiful as well.

At #476, we find "Money Honey" by the Drifters. The Clyde McPhatter-era Drifters had some fantastic songs, songs with guts. They weren't together for that long, but in that short amount of time, they recorded "Such a Night" and "White Christmas". Yet, the best of the bunch is probably "Money Honey". It's a song with a fantastic saxophone solo, and of course, a great lead from McPhatter. #476 is simply too low.

At #430 is "Let's Start All Over Again" by the Paragons. Now, I do have to give this list credit for acknowledging the great group that was the Paragons. 5 of their selections are on the list, including "Florence", "Twilight", and "So You Will Know". But this song, with its simple piano structure and falsetto lead vocal, has become an absolute favorite of mine. #430 is just too low.

Other songs that ranked out a little low for me include "Ten Commandments of Love" by the Moonglows (#405), "You Baby You" by the Cleftones (#398), "Wonderful Girl" by the Five Satins (#397), "What Time Is It" by the Jive Five (#393), and "Zoom Zoom Zoom" by the Collegians (#335). All of these songs would make my Top 100 doo wop songs list.

Songs That Were Overrated

I guess I shouldn't be surprised that "Earth Angel" by the Penguins and "In The Still of the Night" by the Five Satins made it as high as they did (#11 and #13, respectively). Both songs are certified doo wop classics, no doubt about it. But I thought a crowd like UGHA might be a little sick of hearing these songs, and therefore leave them out of their all time favorites list. Certainly I like both songs, but I wouldn't rank either so highly. For example, "Shadows" by the Five Satins was #117 on the list. It's a more obscure song than "In The Still of the Night", but I think a better one.

I was honestly surprised to see the amount of love the Heartbeats got. "A Thousand Miles Away" ranked at #16, "Your Way" at #14, and "Crazy For You" was all the way up at #3. I definitely like all of these songs, but I would not rank them so highly. Personally, I like Shep & The Limelites' song "Daddy's Home" better. And guess what, that was another snub on this list!

And finally, I know "Gloria" is the doo wop national anthem, so it might be blasphemy to say this. But I would not have the Cadillacs' classic song quite so high as #17 on my list.

Many Groups Were Rightfully Appreciated

The Harptones got their place in history with UGHA's list.

Okay, we went over enough of my disagreements with the list. Let's go over the things I think this list really got right. First of all, the love for the Harptones was strong, as it should be. The Harptones are one of the all time underrated acts in the history of music, and how they never had any commercial success is beyond me. But the doo wop aficionados of UGHA certainly appreciate the group, as they put (14!) of their songs on the list. That is the most of any group, by the way. I think it's justified, given the greatness of lead singer Willie Winfield, piano player/arranger Raoul Cita, and the beautiful harmonies that rounded out the group. They had an incredible 5 songs in the Top 30, and I don't know if I can really push back on any of them being ranked so high ("A Sunday Kind of Love" at #4, "I'll Never Tell" at #9, "Life is But a Dream at #19, "That's The Way It Goes at #21, and "My Memories of You" at #30). The list even agrees with me on "A Sunday Kind of Love", which is an all time, Top 10 favorite for me as well.

In my opinion, one group that's underrated even among doo wop lovers is the Rivieras. Well, they had 4 songs make this list! "El Dorado" made it at #413, then "Moonlight Serenade" at #310, then "Count Every Star at #113, and finally "Moonlight Cocktails" at #83. They had some beautiful slow jams, that's for sure. But I think their uptempto stuff is great, too. "Great Big Eyes", "True Love Is Hard to Find", and "Refrigerator" are all worth a listen. But I'll be happy with UGHA's love for the Rivieras here, as "Count Every Star" and "Moonlight Cocktails" are both fantastic. Lead singer Homer Dunn has got to be one of the most underrated doo wop vocalists I've ever heard.

Finally, the appreciation for true street corner groups was duly noted. Of course, that isn't really surprising, but it's still nice to see. Guys like The Five Discs have multiple spots on the list, and I love how "I Remember" was remembered at #132, while "Never Let You Go" was put at #181. I mentioned how The Paragons had 5 different songs on the list, but how about their rival group, The Jesters? They had 5 as well, and many are worthy inclusions (including "Please Let Me Love You" at #482, "Love No One But You" at #308, and "The Wind" at #60). Groups with a street corner sound were definitely appreciated on this list, as The Channels had 5 songs on the list as well.

The List Appreciates Different Eras of Doo Wop

The Ravens were an integral early doo wop group.

Yes, the 1950s dominate the list with 411 of the 500 selections. But, there was still 8 from the 1940s, as well as 79 from the 1960s. The appreciation for the late 40s/early 50s era is something that I can truly get behind. Groups like The Ink Spots and Mills Brothers laid the foundation for doo wop. But it was groups like The Ravens and The Orioles that were the first great doo wop groups, full stop. And both groups got a lot of love on the list. The Ravens got 11 songs on their list, including their masterpiece version of "Count Every Star" at #278. With the smooth bass singing of Jimmy Ricks, I might like that verison even better than the one by the Rivieras. The Orioles get even more love, with 13 selections. "It's Too Soon To Know", which is widely considered one of the first doo wop and rock 'n roll songs, was ranked all the way up at #5. The 1948 song, which has a beautiful song led by Sonny Til, deserves to be acknowledged as both great and groundbreaking. 

The peak era of doo wop is often said to be the mid to late 50s, but this list acknowledges that there is much more to it than that. 75 of the 500 songs were from the 1950-53 era, and seeing early 50s songs be appreciated is a welcome sight. The 1960s get their love too, as groups like the Jive Five, The Dubs, and the Crests were acknowledged. Heck, the list even included one song from the 70s, "White Christmas" by Golden Gate Out. I'll have to check out that song. The latest of all the doo wop songs on the list was "Morse Code of Love", which was released in 1982. That one is definitely a worthy inclusion. In any case, this list being inclusive goes to show that there is many great eras of doo wop. Even today, some musicians are still influenced by it. In particular, I talk of Meghan Trainor! Maybe if this list was voted on today, she'd get some love. 

Overall Thoughts

I was very happy to find this list last night, as there's a lot I can learn from it. As I said at the beginning, there's plenty of songs on this list that I'm just not familiar with. I'm sure I will find some gems that I can play on future radio shows. But with the songs I did know, I got to debate where I might put them on my personal list. Obviously, as you read, I have some disagreements. But there's a lot of effort that goes into making a list like this, so shoutout to Rich Kriz for compiling it. Here is the link if you are interested in reading the full list: http://www.ugha.users5.50megs.com/UGHA/ughatop500.htm