Lead East in Parsippany, New Jersey is celebrating its 40th anniversary this year. I'm going there this Saturday to enjoy some classic cars and good 'ol doo wop music. So, I thought it would only be fitting for today's blog to be about some of the very best doo wop groups from that 50s/60s era. In no particular order, here are 15 of my very favorite doo wop groups.
The Ink Spots
I think it's fair to say there's no doo wop without The Ink Spots. I know I just said at the beginning that this list would be about groups from the 50s/60s era, but The Ink Spots were the original masters of the craft in the 30s/40s. Bill Kenny's beautiful tenor vocals took them to great heights on songs like "If I Didn't Care" and "I Don't Want To Set The World On Fire". Meanwhile, bassman Hoppy Jones would often sing/talk the bridge, pleading with a certain "honey child". You can argue they don't belong on this list, maybe because they start every song with the exact same guitar riff, or maybe because they're only proto-doo wop. But I argue their place in doo wop history is unquestionable.
Here is the group in 1936. True doo wop OGs. |
The Drifters
When I put them on the list, I talk mostly of the Clyde McPhatter-era Drifters. He was with the Drifters for one turbulent year, though the group that formed in 1953 is still technically around today. "Save The Last Dance For Me" and "Under The Boardwalk" are oldies classics, but neither are comparable to "Money Honey". Still, Clyde was with the group for such a short time, that his sound-a-like replacement Johnny Moore doesn't get enough credit. He actually sang songs like "Ruby Baby", "Adorable", and "Fools Fall In Love". I'll be honest, I thought Clyde recorded many of these songs before I did my research. Still, I know he was on the legendary recording of "White Christmas" that featured bassman Bill Pinkney.
The '53 Drifters, with Clyde McPhatter front and center. |
The Rivieras
If you look up "The Rivieras" on Google, you get some little known surf rock band that was from South Bend, Indiana of all places. That's not the group that's on this list! Instead, The Rivieras I'm focusing on are an underrated doo wop quartet that featured Homer Dunn on lead vocals. The group had a unique blend of street-corner harmony and classy pop orchestration. This is clearly seen on their rendition of the classic song "Moonlight Cocktails", one of their very best. They also do quite the cover of "Count Every Star". And if you're looking for an unheralded uptempo song, "Refrigerator" is a good bet. Brrrrrr!!!
These guys should not be forgotten. |
The Five Satins
When I was about eight years old, I fantasized about marrying my first crush. And I knew the perfect wedding song, which was "To The Aisle" by The Five Satins. It's one of doo wop's most beautiful gems, with Fred Paris singing so tenderly on lead vocals. Almost as great as "To The Aisle" is "Wonderful Girl". But in popular lore, both of these songs get overshadowed by perhaps doo wop's most famous song, "In The Still of the Night". But the truth is, that song is simply not the best this group has to offer. Another song better than that famous classic would be "Shadows".
Respect to the guy in the group wearing the cool glasses. |
Little Anthony and the Imperials
Much like The Drifters, this group are bona fide Rock 'N Roll Hall of Famers. They were one of the only doo wop groups that was still successful in the mid 60s, with songs like "Goin' Out of My Head" and "Hurt So Bad". Though, those songs are arguably more soul than doo wop, as the group pivoted to a more popular style. So if you want true doo wop songs from the Imperials, you could go with the 1958 classic "Tears on My Pillow". But for me, their two truly underrated gems are the uptempo "Traveling Stranger", and the beautiful slow jam "Wishful Thinking". Just don't listen to "Shimmy Shimmy Ko Ko Bop".
Also worth checking out is "Those Fires Burn No More", when Little Anthony was with The Chesters. |
The Five Discs
Of all the groups on this list, The Five Discs are probably the most unapologetically street corner. And that's why you gotta love 'em! "Never Let You Go" is their most notable record in my opinion, as with its goofy bass and shrieking falsetto to open the song, it's sure to be a song you won't forget. But you know what else is memorable? Probably their song "My Chinese Girl", which is definitely not meant for a 2022 audience. I've heard my share of racist old records, but that one might take the cake for most politically incorrect. And we also can't forget "I Remember", a song that uses "mmm bat" to create its harmony.
"My Chinese Girl" is not for the faint of heart. |
The Marcels
In 1961, The Marcels brought doo wop to #1 on the pop charts with their cover of the standard "Blue Moon". Of the overplayed doo wop songs, I gotta say this is still one of my favorites and not one I get sick of. But we can't overlook Blue Moon's B-side, the beautiful "Goodbye To Love". Still, I think uptempo songs were more the Marcels' speciality. "Heartaches", a song that charted at #7 is proof of that. Bass singer Fred Johnson had quite the memorable performance there, needless to say. But my favorite song from this group will probably always be "Flower Pot", how could it not be?
The white members of the group left after touring in the Deep South, as the group encountered problems given that they were multiracial. |
The Platters
If the Five Discs went to the extreme with street corner sound, The Platters did just the opposite, blending pop and doo wop together in a more polished sound. Perhaps doo wop fans aren't the biggest fans of this, seeing that only 3 of their songs made UGHA's Top 500 doo wop songs list (despite the group's enormous popularity). But The Platters' sound was doo wop enough in my opinion, with fantastic songs like "The Great Pretender" and "My Prayer". Tony Williams was a virtuoso as a lead vocalist, and his backing vocalists certainly let him be the star of the show. In any case, these guys (and girl) are a worthy group in the Rock 'N Roll Hall of Fame.
The last note in "My Prayer" is an otherworldly experience. |
The Crests
We go from one group with a virtuoso lead singer to another. In fact, he was not just a virtuous, he was a maestro. Yes, Johnny Mastrangelo (later Johnny Maestro) is one of doo wop's greatest singers. He is most well-known beyond the doo wop sphere for "16 Candles". But this interracial group had much more than that, with songs like "My Juanita" and "Six Nights a Week" being major favorites at Lead East (and deservedly so). My favorite Crests song is probably "Step by Step", an uptempo and exciting song about "finding the perfect plan for love".
The group was composed of two African-Americans, one Puerto Rican, and an Italian (you can probably guess who that is). |
Norman Fox and the Rob Roys
We've talked a fair bit about interracial groups so far, but this Bronx group that formed in 1956 was one of the earliest. With three white and two black singers, this group wasn't just progressive, they were really good. "Tell Me Why" is a fantastic uptempo song. A decent cover was made by The Belmonts later on and it was more successful on the charts, but don't kid yourselves... the original is better. "Pizza Pie" is a nostalgic classic for me, it reminds me of getting pizza from Sicily's as a kid. But perhaps the Rob Roys' best song is their slow jam "Dream Girl", one of the most underrated doo wop songs in my opinion.
I have seen Norman Fox (here at the bottom) at Lead East before. |
The Coasters
These guys were the true goofballs of the doo wop world, and as a result, they haven't earned much respect in doo wop circles. If The Platters were too polished, The Coasters weren't serious enough, as they got zero songs on UGHA's Top 500 list. Despite this, I will stick by many of their fun novelty songs, including "Down in Mexico" and "Along Came Jones". Back when the Coasters were The Robins, they recorded "Smokey Joe's Cafe", which is absolutely one of my favorites. And "Zing! Went The Strings of My Heart" disproves the notion that The Coasters were just clowns, as bassman Dub Jones sings a beautiful slow jam on that record.
They were inducted in the Rock 'N Roll Hall of Fame before The Beatles. Look it up. |
Frankie Lymon and the Teenagers
Here's another Rock HOF group, with their greatest hit undoubtedly being "Why Do Fools Fall In Love". It's absolutely iconic, and no, I don't get tired of it. But my favorite song from this group is "I Want You To Be My Girl"... in any case, both songs are also notable for their killer sax solos. And of course, they are notable for the youthful energy that Frankie Lymon carried. Lymon was unfortunately quite the troubled rock 'n roll star, and later died at the young age of 25. But while they were still around, this group made an undeniable impact on the doo wop and rock 'n roll world (they were a favorite of Alan Freed).
"The ABCs of Love" is also great. |
The Paragons
This street corner group was blessed with quite the lead singer in Julius McMichael. His distinctive falsetto can be found on a trio of classics that are quite popular in doo wop circles, "Florence", "Let's Start All Over Again", and "Twilight". All three of these songs are fantastic, and part of why I will be playing The Paragons Meet The Jesters album on my upcoming Awesome Albums show. But McMichael wasn't the group's lead singer for very long, and they have solid songs without him. The most notable of those is "So You Will Know", an unheralded gem that is beloved by true doo wop aficionados.
If you search up The Paragons, you get a group from Kingston, Jamaica. Not these guys! |
The Moonglows
Harvey Fuqua was absolutely smooth on lead vocals. And Prentiss Barnes was an awesome bass, notable for his call and response in "The Ten Commandments of Love". The Moonglows are in the Rock and Roll HOF, and for good reason. "Sincerely" is their greatest hit commercially, later famously covered by The McGuire Sisters. "When I'm With You" is another beautiful slow jam, but their best song is "Most Of All". "Most Of All" is a Top-10 all time doo wop song, a true masterpiece. They dabbled in uptempto stuff with "See Saw" and "Hey Santa Claus", but slower songs were their speciality.
I assumed Harvey was front and center, but it's actually Billy Johnson rocking the guitar and epic glasses... Harvey is on the far right. |
The Harptones
I've raved about them plenty on this blog, but that's because they were truly the best. They had all the ingredients of a great doo wop group. They had a virtuoso lead in Willie Winfield, a tremendous bass in Billy Brown, and super tight backing vocalists. But perhaps the greatest key to their great sound was Raoul Cita, piano player, songwriter, and arranger. It was he who penned songs like "Life Is But a Dream" and "My Memories Of You", songs that are indeed quite memorable! I still contend "A Sunday Kind of Love", their original recording, is their greatest. In any case, Cita may have been one of the first doo wop arrangers, and knew how to make Winfield shine.
The GOATs. |
-Dion and the Belmonts
-The Ravens
-The Jesters
-Lee Andrews and the Hearts
-The Court Jesters